Photography: Seeing & Capturing (Term 2)
Before you take a photo, you have to learn to look.
About This Course
What You'll Create
-
A folio of ten photographs developed across the term. -
A three photo sequence that tells a story, selected for the end of term exhibition. -
A brief verbal statement on one photo and the choice behind it.
Course Details
- Age Range
- 9-11
- Term
- Term 2
- Schedule
- Mondays, 3:45pm
- Duration
- 10 weeks
- Price
- $500
- Spots Available
- 0 of 8
What You'll Learn
- • You'll find out why some photos hold attention and others don't.
- • You'll use light, framing and distance to change what a photo means.
- • You'll learn the basics of composition: where to put things, and why.
- • You'll shoot with intention, not just point and click.
- • You'll learn that one deliberate photo beats twenty accidental ones.
The Support You'll Get
You won't be handed the answer. You'll be shown how to find it.
Your practitioner has spent years making their own work, and their own mistakes. In the studio they work alongside you: asking the right questions, pointing out options you hadn't seen, helping you push through the moment you get stuck. The ideas stay yours. The decisions stay yours. They're there so you're never finding the way through alone.
Week by Week
Week 1:
Week 2:
Week 3:
Week 4:
Week 5:
Week 6:
Week 7:
Week 8:
Week 9:
Week 10:
Every course ends with an exhibition
Celebrate what you created with the people and our community. Every term concludes with a presentation or exhibition of your work: a chance to share your process, your ideas, and what you've made.
Your Instructor
Andrew Chew
Visual Communication & Photography
Andrew studied Visual Communication, majoring in Photography. Twenty years on, he's worked as a designer, photographer and gallery director, running No Vacancy Gallery and later directing YAVA. He built Assembly because the system around young people kept treating creativity as decoration instead of discipline. He teaches the way he's worked: try, fail, try again. Back your ideas. Test them. Push through when it's not working yet. He's spent years making his own work and his own mistakes, and in the studio he works alongside you, showing you how to look, how to frame, how to decide what matters, then make it.
Want to join?
This course is full. Join the waitlist above to be notified if a spot opens up.